So I’m in Florence right now. In case you missed that. And for those who were envying the Cypriot weather, the buckets of rain falling from the heavens today as I shivered from San Lorenzo to the Biblioteca Nazionale Centrale di Firenze will make you less envious.
At the Biblioteca Nazionale Centrale this afternoon, I was perusing a manuscript containing a large swath of papal letters from Clement I (d. 97) to Leo I (d. 461), with a few items from Constantine and Athanasius thrown in for good measure. I didn’t spend any time determining the veracity of the Constantinian and Athanasian documents. However, there was a clue that not all of these documents were above board. Some of the letters began with the phrase:
seruus seruorum Dei
Now, you’re probably thinking, ‘Isn’t “servant of the servants of God” how all popes start letters?’ And you’d be almost right — it’s how most popes after Gregory I start most of their letters.
Wait. Gregory I?
Wasn’t he pope from 590-604?
Of course, I knew there would be forgeries in this manuscript (see below). However, it can be difficult sometimes to spot a papal forgery. You see, popes all write the same. This is partly because of the extreme conservativism inherent with the office — the Pope’s job is largely to maintain the tradition, but also to interpret it for a new generation. They tended to repeat one another, for one thing. If another pope had said it, the current pope will repeat his official ruling on a subject.
However, they also all write the same because eventually they aren’t writing much at all. The papal chancery is. I mean, they’re composing the letters and overseeing the content, but notarii do the actual writing by some point in the 600s, and probably earlier. We even have a seventh-century papal chancery style guide.
But there are ways to tell. Like ‘seruus seruorum Dei‘ turning up in a pre-Gregorian papal letter. Or early popes who obsess about primates and chorepiscopi. Or a letter from a pope like Leo I or Gregory I, who actually does have his own style, that isn’t in his own style.
But how did I know to expect forgeries?
Well, I knew that this manuscript is from a body of canon-law literature ascribed to ‘Isidorus Mercator’, affectionately known as ‘Pseudo-Isidore’. That ‘Pseudo-‘ on the front is a dead giveaway!
The Pseudo-Isidorian canonical collections, which encompass canons from church councils as well as papal letters from as early as possible — and even earlier (forgeries!) — up to Gregory the Great. The collection is a clever mixture of genuine and false material, alongside genuine material that has been modified to suit the Pseudo-Isidorian forgers.
They emerged in 844 (if I remember correctly) in the context of the later Carolingian wars wherein a number of bishops (esp. Hincmar of Reims) got themselves mixed up in things and wanted to limit the power of the secular authorities over them as well as of their own metropolitan bishops. So the Pseudo-Isidorian forgeries were contrived. What makes them intriguing is the fact that they include so much genuine material, and are therefore of great importance to the transmission of authentic canon law material.
And I got to spend some time with Pseudo-Isidore today. I’ll go visit him again on Wednesday; tomorrow, I’m returning to Collectio Vaticana at the chilly Biblioteca Medicea Laurenziana.