This blog/site is about the promotion of Classic Christianity as a way to engage more deeply with the Triune God, to re-engage with Scripture, to increase in devotion to Our Lord and Saviour Jesus Christ, and so forth. As an antidote to spiritual drought, seeking the wisdom of the faithful over the many ages of Christianity.
I tend to divide things by temporal period, probably because of my inclinations as an historian. So I think in such terms as ‘Patristic’, ‘Medieval/Byzantine’, ‘Renaissance/Reformation/Counter-Reformation/Early Modern’ and ‘Modern.’ Mostly I post about subjects Patristic and Medieval — write what you know!
But the world of Classic Christianity, although something of a seamless whole if we watch for the common threads of the tapestry that the Great Tradition is woven into, presents itself to us in many ways — through texts, through images, through actions, and through music.
Christianity is a text-based religion, and not just because the Most Holy Trinity has revealed Himselves to us through the Bible. Texts are the surest way of transmitting tradition to further generations, for one thing. They are also a way for individuals to order their thoughts, organise their prayers, remember themselves, and share with others far away their own discoveries and beliefs. Furthermore, Eusebius of Caesarea established the story of Christian texts and their preservation, as well as the stories of Christian authors, as central to ecclesiastical history, a trend furthered by St Jerome’s De Viris Inlustribus.
As a result, there are many genres of text in Christianity, and it is these that mostly occupy my time here. Sometimes I go through phases where I discuss liturgy more, sometimes the ascetic/devotional writers, sometimes the theologians and exegetes. I go in phases, but each genre is an important part of learning the faith once delivered. If we ingest these texts thoroughly, we can be transformed by the renewing of our minds. Some of the genres available to us from the riches of the Great Tradition are:
- Scriptural exegesis
- Devotional/ascetic/mystical treatises (a form of lived theology described by practitioners)
- Liturgical texts (incl. hymns) and personal prayers
- Saints’ lives (aka hagiography)
- Ecclesiastical history
Images have been hotly disputed throughout Christian history. Nonetheless, whether for adorning churches or the interiors of Books of Hours or the walls of living rooms, Christian tradition has a broad variety of images. These images are to be understood each in its own way, its own context, and its own uses. One does not view a Renaissance master the same way as a Byzantine icon, but that does not mean one is more ‘Christian’ than the other. Each has its value. Each can draw us up into Heaven.
Actions come to us through the texts, I suppose. But they are also transmitted through the lived practice of Christians in our midst. I learned how to do prostrations, placing my head to the floor, from Fr Raphael upstairs in his study in Edinburgh. I learned how to pray from my parents and other spiritual guides. I have learned of fasting from the pulpit, from examples of other Christians around me, from conversations, as well as from Scripture and non-scriptural texts. When we take these actions from the texts and the images and the lives of those around us and incorporate them into our own devotion to God, we are living tradition, we are entering into that cosmic union of all faithful people of all times and places that is the mystical Body of Christ.
I probably blog about music the least, although I might sometimes post a YouTube video of a hymn or chant I like. But I grew up the son of a piano teacher, am the brother of a composer, and play the clarinet myself, besides spending a certain amount of my youth in youth choirs. Music, for me, is much harder to put into words. Indeed, perhaps simply sharing a YouTube video is the best approach. Nonetheless, sacred music imbues the whole history of western music; it is where western music history classes begin, with Gregorian Chant; then the great music of the Renaissance, followed by the Christian musical tradition in Vivaldi, Bach, Haydn, Handel, Mozart, even Beethoven, and Tchaikovsky, Stravinsky, and Bruckner.
When I attend a sung Eucharist at St Mary’s Cathedral in Edinburgh, it is in the midst of that music that I lose myself and enter into that moment completely, casting all other thoughts away. It is then that my heart can most easily soar to heaven. My spirit sings as they sing.
How will you engage with the tradition today?