Christianity as the myth that came true

Eucatastrophe

I started reading Northrop Frye (I discuss one of his books here) when I mentioned to a colleague that, for my lecture on Christianity and classical mythology, I had a final slide called ‘The Myth That Came True?’ He told me about how he discusses Frye’s book Words with Power in his class about theories of myth. Frye is neither here nor there for this post, though.

The idea of Christianity as the myth that came true is one associated with that group of creative thinkers and writers, the Inklings. It most famously comes up in the story of C S Lewis’ conversion from theism to Christianity. He was walking in one of the Oxford gardens with friends and fellow Inklings J R R Tolkien and Hugo Dyson about myth and truth and suchlike things. Lewis’ feeling at the time was that all that he found beautiful was untrue, and everything he believed to be true was grim. The myths, such as the Baldr and Adonis, were beautiful but ultimately empty and meaningless, not bearing truth.

This conversation with his Christian friends drove home to Lewis the idea that myths themselves carry truths, and the greatest myth of all actually was true. Christianity is the myth that comes true: the God leaves his habitation, comes down, dies, and rises again. (This is not exactly as Lewis tells it.)

In his book Miracles, when discussing the Resurrection, Lewis discusses the relationship between dying-and-rising myths and the Resurrection of the Son of God. He refers to the gods that die and rise again every year, people like Osiris or embodied at some level in Adonis, as ‘Corn Kings’, and says that there is a fundamental difference between the resurrection of Jesus Christ and corn kings, in that he rises never to die again, and sets us free from death itself. Or something like that. (It’s been a decade, people.)

These gods who die and rise, then, from Osiris in Pharaonic Egypt to Baldr in Viking Norway, are at a certain level shadows of Christ, but ultimately not the real thing. Mythology, which is the basic mode of speech of all civilization (and here I cite not merely Frye, Words with Power, but Barfield (an Inkling!), Poetic Diction), is itself an approach to divine revelation — a sort of storytelling version of St Justin Martyr’s philosophical logos spermatikos. Not only in philosophy but even in mythology has the Word of God hidden Himself only to be fully manifest in Jesus Christ.

J R R Tolkien’s idea of eucatastrophe from his essay ‘On Fairy Stories’ is another place where we see the mythic ordering of salvation history. Eucatastrophe is when everything goes horribly, horribly wrong, only to save the day. It is common in the best fairy stories, indeed, the best stories, according to Tolkien. The eucatastrophe par excellence is the death of Jesus on the cross. God dies. The Messiah is slain by foreign enemies having been betrayed by his people. And as a result, by his wounds we are healed.

These men did not simply think of myths in the way my colleagues and I like to problematise them in classes on Greek and Roman mythology. Sure, mythos is simply ancient Greek for story; Lewis and his colleagues all know that. But Lewis, having admitted that in the chapter on myth in An Experiment in Criticism goes on to discuss those particular stories that have a certain hold on us, many of which are repeated in different cultures. There is something powerful inherent in Orpheus and Eurydice, regardless of who tells us, whereas The Odyssey needs Homer’s poem.

This mythic mode, the sort also sought by their younger contemporary Joseph Campbell, is common to all cultures. And Christianity takes up the mythic mode and, rather than it being fabula makes it into historia — the stuff of flesh and blood, something you can stand on and rely on. It is beautiful and true.

The Double Vision by Northrop Frye

Today I read all but the first eight pages of Northrop Frye’s final work (I read the first eight a few days ago), a slim volume entitled The Double Vision: Language and Meaning in Religion. I started here with Frye rather than, say, The Great Code: The Bible and Literature, because the book is short and claims to be a quick version of his main ideas. I guess that being an academic means one wants the long version.

There are some great ideas in this book as well as some passages that pack some punch. Unfortunately, I came away a little disappointed, especially after my head had been swimming with big ideas when I read the first few pages of his much longer book, Words with Power: Being a Second Study of the Bible and Literature. In the introduction to Words with Power, Frye discusses his underlying conviction that all literature is mythology.

The idea of all literature and language being mythological excited me, but I’m pressed for time and intellectual capacity, so thought this series of addresses given to United Church of Canada ministers that distils some of Frye’s ideas would be the ideal place to start. Part of the problem is that his big ideas are often stated evocatively but not argued — understandable for the context; but this is why I need the bigger books, perhaps.

However, I fear that, for all that Frye was trying to recover the Bible for the 20th century and give it back to his faith community as something to be believed in, liberal Christianity and late modernity haunt the background of the pages. Frye was pressing his way into a path beyond any conservative-liberal impasse. Perhaps to someone who was only eight when the book came out, Frye did not pass through far enough?

For example, Frye says that sitting down and deliberating on whether story x in the Bible was historically true in a literal sense as we know it or whether it was just a myth is the wrong question. He rightly wants to push past that, and find the stories of Scripture coming alive and bodying forth God for us. However, in the end, I felt like he was recapitulating liberal doubts about the historicity of Scripture but finding a way to still believe in the Bible.

The parts of the book not about the Bible were interesting but failed to move me — very 1991, talking about the fall of the Soviet Union and an awakening consciousness about our devastation of the natural world.

My exposure to patristic and medieval Christianity has been very different from his, I think, and I think it has indelibly affected my own double vision. To take one example. Frye notes that when we start to ask the awkward question of the historicity of Elijah calling down fire from heaven in his competition with the prophets of Baal, the even more awkward reality of God’s lack of doing such things today comes up. That is — if we stick to historical questions, we have problems with today. But if we look at this story as a story about God’s relationship to Elijah, it takes on a more immediate concern for us. No other Near Eastern deity is as intimate with his people and prophets as YHWH.

Well, fine and good.

I still want it both ways. Elijah on Mount Carmel as history does not bother me, because the lack of miracles in the Canadian church of the 20th century is no failure on God’s part. It is possibly a failure on ours. Mind you, Frye points out that miracles aren’t the point of any of it, given Jesus’ own attitude to his miracle-working.

But Elijah on Mount Carmel as only history is less interesting than Elijah on Mount Carmel being an enacted myth that tells me something either about Christ (if the prophet is a living antitype of Jesus, what does this signify about the Messiah?) or about the church (who are the prophets of Baal in our midst, luring us away from the worship of the true God, and what will He do for us if we only ever ask?).

Somehow something bigger than mere scientifically verifiable history is at play in the Old Testament prophets. Frye would agree.

But that doesn’t mean these things didn’t actually happen.

It’s hard to put into words. This is why I’m neither a professional theologian nor literary critic. 😉

In terms of background, I wish Frye were more steeped in Nouvelle Théologie than Hegel or Kant, quite frankly. Not that his use of German philosophers was bad or wrong or anything. But his lack of de Lubac, Daniélou, Bouyer, in his approach to the Bible, the Fathers, and mediaeval theology has perhaps weakened his reading of the pre-modern. (A bold thing to say about Northrop Frye. For who am I? I am nothing. I’m not even confident enough in my ideas to put my name on this blog.)

For here some balance could be redressed. His brief mention of Thomas Aquinas was heavy on Aristotelianism but outrightly stated that St Thomas was not into Dionysius the Areopagite — this is simply a falsehood. What makes Thomas Aquinas so interesting is his extraordinary synthesis of so much philosophy and theology, not merely Aristotle but the mystical and sacramental traditions of patristic and medieval theology, East and West, as well. This is perhaps quibblillng, although I found his statement to the effect that the best mediaeval theologians were those who found themselves accused of heresy troubling (poor Bonaventure, Albert the Great, Anselm, Hildegard, Catherine of Siena).

He also demonstrates a common misconception about the allegorical reading of the Bible, that it was the same thing as the allegorical reading of Homer and that its main goal was to justify the ways of God to men (oh, wait, that was Milton) — that is, to explain away the awkward bits. While the spiritual reading of Scripture was often used to this effect, the fundamental difference between Christian allegory and its pagan counterpart is Jesus Christ. Jesus Christ is the full revelation of God; therefore, when the Fathers and mediaeval thinkers allegorise the Old Testament, it is not willy-nilly, not the wax nose maligned by Luther, but with a specific intent and often with common content — find Christ and glorify Him. See how the passage fits with the church’s Rule of Faith. This is what ancient and medieval allegory was up to.

Henri de Lubac would save you from that trouble. The problem is, Medieval Exegesis was not translated into English until well after Frye’s death. Frye’s reading of allegory and Origen is on a level with much anglophone scholarship of the last century.

Anyway, if we couple my ongoing Anglican diet, my charismatic-Anglican upbringing, my encounters with Orthodoxy, and my ongoing engagement directly with the Church Fathers and certain strains of thought regarding mediaeval and Byzantine theology, it is perhaps inevitable that a book like The Double Vision would strike me as starting in some right directions but haunted by the spectre of late modern liberal Christianity. I no doubt have a very different reading list from Frye’s.

But there is so much in here that I could find myself interesting in and gravitating towards if only it were more fully articulated and argued that I will return to Frye’s thoughts on the Bible and literature again some day.